Papers from the 1981 and 1982 PAC conferences
Edited by C. Michael Smith, Winthrop University
C. Michael Smith Preface
1.1 Elgin W. Mellown The Poems of Edwin Muir and Their Relationship to Modernism
1.2 Louis A. Mackenzie, Jr. La Couche érotique, in Racine’s Brittanicus
1.3 Patrick Scott Genre, Perspective and Opinion in the Study of Victorian Ideology: The Case of
Elizabeth Missing Sewell
1.4 Robert Ross “Bartleby the Scrivener”: An American Cousin
1.5 Meili Steele Sartre and the Dramatic Character: Theory and Practice
1.6 Jeanne J. Smoot “Young Goodman Brown”—Puritan Don Juan: Faith in Tirso and Hawthorne
1.7 Gilbert Allen Wilfred Owen and Edward Thomas: Sixty Years After
1.8 Gene M. Moore The World of Words in Joyce’s Portrait and Musil’s Törless
1.9 Mark S. Shearer The Cry of Birth: King Lear’s Hysterica Passio
1.10 Howard M. Fraser The Uses of Enchantment in Modernist Fantasy Fiction
1.11 Douglas R. Hilt August Wilhelm Schlegel’s Concept of Calderón as a Romantic Playwright
1.12 Kenneth Watson The Center of Coleridge’s Shakespeare Criticism
1.13 Donna E. Landry Genre and Revision: The Example of Welty’s The Optimist’s Daughter
1.14 Martha R. Langley Tess of the d’Urbervilles and the Hippolytus
1.15 Mary Jane Scott James Thomson and Gavin Douglas: Some Continuities in Scottish Augustan Verse